Correggio is not mentioned in any of the wills, but Fassi seems to have been close to the artist's family: Correggio's uncle is mentioned in the first will, his father in the second, while Correggio himself was a wit- ness with Fassi to a document of 15 17.
Kugler, Handbook of Painting ed.
She had her hair cut into the form of a cross, and clothed herself in strange garments that provoked the mirth and gibes of spectators.
The Balcony Where Disapproval seemed to follow Edouard Manet around Paris.
Imagery is imaginary in Birth of Venus because none of the figures cast shadows and this is clearly meant to bring pleasure to the spectator using an idyllically beautiful woman.
It is almost theatrical on the canvas according to Ian Dejardin, 2009 with the ancient temple being used as a stage backdrop for the oncoming action; a great many people can be seen rejoicing as David enters triumphant! Our poet was perhaps not entirely heart-whole when he offered his hand to Taddea dei Gonzaghi, of Novellara.